She has evidently thought hard about how contemporary composers can be given a fairer chance to break through to audiences, especially to those people for whom contemporary art, say, is an easier ask. Other career milestones include a performance at the White House for President and Mrs. Obama. WebAbout Alisa Weilerstein. Monday to Friday: 10 a.m. to 5 p.m., or until 30 minutes after the concert starts It gives you a totally new tool. Oh, baby! Cellist Alisa Weilerstein gives birth to a daughter and a William Struhs So to return to it was actually really wonderful, because I found all sorts of new things in it. FC: Was it hard playing at home for your dad - this world-famous violinist - when you were just learning how to play the cello? 6 in D major, BWV 1012, into a sub-climax that concludes CD 1. (1988) and When Alisa Met Elliott (2012). Alisa Weilerstein - IMDb Bach was not available for consultation, but she is subjecting his suites to the same treatment. For example, as recently as November, Weilerstein still planned to perform the complete Bach suites for cello in Santa Barbara in April of 2021. theres no substitute for time away. My management was very careful to get me as much experience as I needed without overexposing me or taking over my life. WebAlisa Weilerstein. She was awarded the MacArthur genius grant in 2011. hide caption. People might not realize that the further you go in this business, the more travel is absolutely a part of the job description. Alisa Weilerstein (Cello) Born: April 18, 1982 - Rochester, New York, USA The American cellist, Alisa Weilerstein, was born into a musical family: she is the September 15, 2010 The young cellist plays Bach with elegance, and takes listeners through the back streets of Buenos Aires with a gripping performance of Omaramor. I have played it countless times, but there was actually a long period of time where I was not playing it, maybe five or six months. Literally. To shed the Rorschach inclination towards finding meaning in the program before hearing the music was a really important piece of the puzzle, Pulitzer said. Veterans Pension Benefits (Aid & Attendance). To be included with these amazing people, that, for me, was the biggest honor. If theres a piece that Ive been playing over and over again, its very helpful to put it away for a while. There may be people, Weilerstein admits, who are put off by even a modest staging, or by her tinkering with performance traditions. The other goal that I have is to try to help create a twenty-first century repertoire for the cello, much in the way that Rostropovich did in the twentieth century. hide caption. Mito Habe-Evans/NPR Her Sarabandes are extraordinary, very slow (a lot of the high time total is racked up here) without being emotionally overwrought: they are deeply meditative. Reisers set stays constant, a deconstructed theater arrayed so that it evokes soloists constant struggles to create a room of ones own as they travel the worlds halls, Pulitzer said, and at the same time reawakens the spaces for the people who are familiar with them. Each composer has a specific lighting color, to give a sense of which fragments combine to make wholes. Even when I was a very, sort of, unruly teenager, I still realized what he was telling me was good, so I took it (laughs). I tend to say yes too often, but Im trying to get better at that. She lives with her husband, Venezuelan conductor Rafael Payare, and their two young children. Something I return to every so often is Kunderas The Book of Laughter and Forgetting. Lucio Lecce/courtesy of the artist So each of the six programs, which Weilerstein will offer over the next few seasons, will have a dramaturgical element: Hanako Yamaguchi, the former, longtime director of music programming at Lincoln Center, is her artistic adviser, and her production team includes the director Elkhanah Pulitzer, the set and lighting designer Seth Reiser, and the costumer Carlos J. Soto. From there to the regal quality of the third and the life affirming and nostalgic quality of the sixth. The second disc delves into the darker Suites. Celebrity Series of Boston .st0{ Cello virtuoso Alisa Weilerstein is always September 17, 2010 The young cellist plays Bach with elegance, and takes us through the backstreets of Buenos Aires with a gripping performance of Omaramor, Osvaldo Golijov's tribute to tango singer Carlos Gardel. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. But Weilerstein thinks of it not as a new approach to Bach, she said, rather a celebration of the really disparate voices in contemporary classical music, with Bach as a common reference point. They have one child. You have to have a willingness to collaborate. My parents were very conscious to give me as close to a normal childhood as possible, so I had friends, played outside, went to normal school. Violinist Livia Sohn, pianist Inon Barnatan, cellist Alisa Weilerstein and violist Barry Shiffman (not pictured) dig into the the Gypsy-influenced Piano Quartet, Op. The 27 who agreed including Tania Len, Joan Tower, Carlos Simon and Daniel Kidane make up a roster that is remarkably diverse demographically and stylistically, but almost all of them asked if they should write with specific reference to Bach, Weilerstein recalled. In fact, I played for Zara Nelsova when I was much younger, but I wasn't officially a student, I was around maybe 6 or 7 when I had my first lessons with her. Thats an important skill, unless you are someone who only plays alone always, you have to be able to communicate. Alisa Weilerstein (Cello) - Short Biography - Bach Cantatas Website The perspective gives you something. Cellist Is Chosen, And Challenged Her passionate performance of Chopin's Cello Sonata at WGBH is the sign of a young musician well on her way to a major career. Its not about expressing the performers personality, but that inevitably happens. She was awarded the MacArthur genius grant in 2011. Montreal (Quebec) H2X 0S1, Customer Service Hours It didnt last. Because its hard enough, even when you love it. For that reason, the lack of program notes before the lights go dark, the audience will be given only the most basic information about the project, and the names of the composers they will hear is a core part of Fragments, and a sign, its creators said, that, for all the deliberate, thoughtful artifice, the focus is on the music. For her though, Fragments is an attempt to make the concert hall more of a place of adventure again, and less of a dead end. Adagio (Con gran espressione) 12:35 3. This is important for any musician. Does the Pressure of a Pandemic Transform a Cellists Bach?

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